Excess of Elsewhere

Art commission project, Meta’s London Kings Cross Headquarters, London, UK

A Neverland of Fragments; A Place of Wordless Things and Thingless Words

LED light
2016

Chicago City Maze

Acrylic, pen, tape, copper wire, nail, graphite powder on wood

2012

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Psychogeographic Abstract Landscapes

1.2. Installation view at Seoul Olympic Museum of Art (SOMA)

3. Psychogeographic Contemporary Abstract Landscapes / Acrylic, pencil, copper wire, nail on wood / 340 x 486 x 50 cm / 2013

4. Installation view at Blume Museum of Contemporary Art (BMOCA)

5. Every Second in the City / Acrylic on wood / 174 x 187 x 30 cm / 2013

6. Details (#3)

7. Every Second in the City / Acrylic on wood / 175 x 185 x 30 cm / 2013

8. Details (#4)

9. Untitled / Wood / 176 x 150 x 30 cm / 2013

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Every Second in Between I London (White City Place)

Public art commission for White City Place, London, UK.

In partnership with with Stanhope Plc, Mitsui Fudosan and RCA

photo by Tim Bowditch

Click -> Animation is included

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Click -> Animation

Every Second in Between | Seoul | Hong Kong

Installation view : Windows & Library at Duddell’s Hong Kong (2019)

Installation view : Windows at Sehwa Museum of Art (2018)

Installation view : Sculpture (2018)

Installation view : Animation at Sehwa Museum of Art (2018)

Installation view : Animation & Performance & Sound (Collaboration with The Great Commission / ‘The Journey of Eternity’ in Seoul Forest) (2020) photo by The Great Commission

Click -> Animation

Should I Put Sunglasses on?

Aluminum sticks, bricks, grass, plastic cups, coloured acetate sheets, colour chalks, polystyrene balls and spray paint. Sound included.

2017

The Snapdragons

Click -> Film

Link: https://vimeo.com/243657162

Three channel colour video installation
7 minutes 15 seconds, 2017

One car, two iPhones, three snapdragons and four people. A Korean artist, a Chinese tourist and two Ukrainian curators went on a road trip together from Kharkov to Dnipro in Ukraine. The three-channel film pays playful tribute to Dnipro – used to be called “the rocket closed city”. The ghost of the Soviet Union and the voice of the God (played by Siri) are hovering over the film in which questions the system and ideology of modern society.

Collaboration with Hiu Tung Lau

Credits
Video Source
"New Moon: Reds Launch First Space Satellite", Universal-International News 1957

Script based on
"Genesis" Bible (NIV)

Sound Source
"Katyusa - Valeria Kurnushkina & Red Army Choir (2014)", DjukiNew1957 "Tetris Soundtrack", The Game Boy
"The sounds of spring - bird songs", bxgirl45
"Heart Beat", Soundious
"Alien Ship Eerie Sound FX", nathanolson
"Siri", Apple Inc.
"Heavenly Angel Sound Effect", Madeline Collette

Click ->Film

Visibility, Non-Visibility, Invisibility

Text with phosphorescent powder pigment

2015

He Needs My Eye Looking At Him. He Needs Me To Prove He's Alive.

Pink holographic fabric and mirror

355 x 800 cm / 50 cm in diameter

2016

The City of Fragments

Silkscreen on paper and blue chair

2015

Non-Visibility

Phosphorescent powder pigment, gold metallic foil, silver reflective fabric, cage, teeth, , bird toy, etc.

Including sound (12' 30")

2014

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Space of Montage

1. Space of Montage (Every Second in the City) / Acrylic paint, wire, nail, pen, tape on wood / 153 x 153 cm / 2010

2. Space of Montage (Every Second in the City) / Acrylic paint, wire, nail, pen, tape on wood / 153 x 153 cm / 2010

3. Space of Montage (Every Second in the City) / Acrylic paint on canvas / 214 x 305 cm / 2011

4. Space of Montage (Every Second in the City) / Acrylic paint on canvas / 183 x 305 cm / 2011

5. Space of Montage (Every Second in the City) / Acrylic paint, wooden sticks, tape on canvas / 129 x 163 cm / 2010

6. Space of Montage (Every Second in the City) / Acrylic paint, wooden sticks, tape on canvas / 92 x 125 cm / 2010

7. Space of Montage (Every Second in the City) / Acrylic paint, pen, tape on wood / 115 x 73 cm / 2010

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Naturalistic Landscapes under Glass

1. Naturalistic Landscapes under Glass / Acrylic on canvas

2. Naturalistic Landscapes under Glass / Acrylic on canvas

3. Psychogeographic Landscape / Acrylic on canvas

4. Naturalistic Landscapes under Glass / Acrylic on canvas

5. Psychogeographic Landscape / Acrylic on canvas

6. Psychogeographic Landscape / Acrylic on canvas

7. Psychogeographic Landscape / Acrylic on canvas

8. Naturalistic Landscapes under Glass / Acrylic on canvas

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Psychogeographic Abstract Landscapes in London (Painting)

1. Silhouette of the London Landscape / Oil on canvas

2. Fragments of the Seoul Landscape / Oil on canvas

3. Fragments of the London Landscape / Oil on canvas

4. Duality / Oil on canvas

5. Fragments of the London Landscape / Acrylic on canvas

6. Déjà vu / Oil on canvas

7. Fragments of the London Landscape / Acrylic on canvas

8. Fragments of the London Landscape / Acrylic on canvas

9. Duality / Oil on canvas

10. Summer Tragedy / Acrylic on canvas

11. London Architecture iv / Watercolor

12. London Architecture iii / Watercolor

13. London Architecture i / Watercolor

14. London Architecture ii / Watercolor

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in between; there is, there is not

Holographic laser fabric

2017

The City of Fragments

Fragment of an installation

2015

Text on copper sheets

300 x 252 x 0.3 cm

Text on paper

270 x 252 x 0.1 cm

210 x 252 x 0.1 cm

210 x 210 x 0.1 cm

The Trace of a City Phantom

including performance and sound (12' 30")

Stage : Acrylic and chalk on board (200 x 200 x 10 cm)

Glass: Copper paint on glass (55 x 55 x 0.6 cm)

2014

A thing : cannot be seen, cannot be heard, cannot be held

Artist Book

Text engraved on 2 sheets of transparent glass

Text and images printed on Japanese paper

Glass : 67 (h) x 92 (w) x 0.6 (d) cm (each)

Paper : 59 (h) x 84 (w) x 0.1 (d) cm (each)

2016

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Back to ART

Excess of Elsewhere

A Neverland of Fragments; A Place of Wordless Things and Thingless Words

Chicago City Maze

Psychogeographic Abstract Landscapes

Every Second in Between I London (White City Place)

Every Second in Between | Seoul | Hong Kong

Should I Put Sunglasses on?

The Snapdragons

Visibility, Non-Visibility, Invisibility

He Needs My Eye Looking At Him. He Needs Me To Prove He's Alive.

The City of Fragments

Non-Visibility

Space of Montage

Naturalistic Landscapes under Glass

Psychogeographic Abstract Landscapes in London

in between; there is, there is not

The City of Fragments

The Trace of a City Phantom

A thing : cannot be seen, cannot be heard, cannot be held